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AUTHOR OF

THE HANDMAID’S TALE

THE BLIND ASSASSIN

ALIAS GRACE

ORYX AND CRAKE

CAT’S EYE

《使女的故事》《盲刺客》《別名格蕾絲》《羚羊與秧雞》《貓眼》的作者

As a writer, your goal is to keep your reader believing in your story even though both of you know it’s fiction. When I wrote The Handmaid’s Tale, nothing went into it that had not happened in real life somewhere at sometime. The reason I made that rule is that I didn’t want anybody saying you certainly have an evil imagination, you made up all these bad things. I didn’t make them up.

身為作家，你的目標(biāo)就是要讓讀者對你的故事深信不疑，即使你和讀者都知道它是虛構(gòu)的。在《使女的故事》這部小說中，故事的情節(jié)都是曾在某時或某地發(fā)生過的事情。我之所以有此準則，是因為我不希望別人說我擁有魔鬼般的想象力，認為所有這些不好的事情都是我編造的。我可沒有編造。

IN HER FIRST EVER

ONLINE CLASS

在她有生以來的第一次網(wǎng)絡(luò)公開課上

If you really do want to write and you’re struggling to get started, you’re afraid of something. Remember, it’s only you and the page. The waste paper basket is your friend. It was invented for you by God.

假設(shè)你真的想寫作，但遲遲開不了頭，說明你在擔(dān)心著什么。記住，這只是你和紙張之間的事情。廢紙簍是你的朋友，是上帝為你而創(chuàng)造的。

SPECULATIVE FICTION

DYSTOPIAS

HISTORICAL FICTION

PROSE STYLE

DIALOGUE

CHARACTERIZATION

臆想小說

反烏托邦小說

歷史小說

散文體小說

對話

人物刻畫

People are always coming up with new theories of the novel, but the main rule is hold my attention.

新的小說創(chuàng)作理論層出不窮，但關(guān)鍵的是要能吸引我的注意力。

MARGARET ATWOOD

TEACHES CREATIVE WRITING

瑪格麗特·阿特伍德

講授創(chuàng)意寫作

Any form of human creativity is a process of doing it and getting better at it. You become a writer by writing. There is no other way. So do it. do it more. Do it better. Fail. Fail better. Somewhere out there, there are the readers for your book. I’m Margaret Atwood, and this is my Masterclass.

人類任何形式的創(chuàng)新都是一個堅持去做而且做得越來越好的過程。作家是靠寫出來的，別無他途。那還等什么呢？趕緊寫吧，多多益善。別怕失敗，要越挫越勇。說不定在某個角落，你的讀者正翹首以待呢！我是瑪格麗特·阿特伍德，這就是我的大師講堂。