當(dāng)代水彩的價值
——“視覺的維度-中外水彩名家邀請展”前言
在當(dāng)今世界，現(xiàn)代傳媒正在日益改變著人們的閱讀習(xí)慣，從傳統(tǒng)的紙媒到互聯(lián)網(wǎng)帶來的多媒體時代，我們的視覺系統(tǒng)已經(jīng)經(jīng)歷了前所未有的挑戰(zhàn)。圖像時代在帶給人們便利的同時，也在混淆著我們的視覺判斷力，這就意味著每天要過濾掉大量的垃圾信息后才能找到自己想要的那一部分。
水彩畫作為獨立繪畫形式的歷史并不長，短短的三百年相對于人類的歷史長河可能只是一個點。作為視覺藝術(shù)的一個小小分支，水彩畫并非游離于藝術(shù)史之外，而是“潤物細(xì)無聲”，在一定的范圍內(nèi)悄悄地改變著人們的視覺習(xí)慣，小到你幾乎沒有注意到，但它確實以自己獨特的方式真實地存在著。
美國作家房龍說: 藝術(shù)史的進(jìn)化有高潮有低谷，它不是簡單的螺旋式的上升，而更像是沙灘上的海浪一般，時而沖上海灘，時而又退回去，下一次可能又要沖向更遠(yuǎn)的海灘。
作為藝術(shù)永恒的主題，如何表達(dá)比表達(dá)什么更多地受到藝術(shù)家的重視，歷代大師們無不為此奮斗終生。印象派之后，視覺藝術(shù)的豐富性已經(jīng)被那些大師們以前所未有的多元化方式呈現(xiàn)出來。從塞尚要表達(dá)物像背后的某種東西，到馬蒂斯、魯奧、諾爾德、賈科梅蒂、弗洛伊德、巴爾蒂斯、杜馬斯等諸多現(xiàn)代派大師，水彩只是他們的一種手段，他們將這種表達(dá)推向極致。很好地詮釋了當(dāng)代架上繪畫的意義。
在30多年前，美國作家阿瑟·丹托已將宣告了藝術(shù)的終結(jié)，藝術(shù)史不是一部技術(shù)進(jìn)化史，他站在歷史哲學(xué)層面感受到了現(xiàn)代科技給藝術(shù)帶來的沖擊，卻沒有看到藝術(shù)家對當(dāng)代科技的利用，沒有看到架上繪畫在21世紀(jì)的復(fù)蘇。水彩畫作為一種傳統(tǒng)媒材和表達(dá)方式，它帶給大眾的視覺體驗正在被世界上越來越多的畫家不斷改變和刷新。水彩畫在這個語境里變得活躍起來，它在帶給人們視覺體驗的同時，也開始建立起一種新的圖式語言，拓展了視覺的維度。微時代，對于水彩畫這種新變化，我們嘗試以一種新的視覺方式呈現(xiàn)給大眾，即覆蓋全球的微網(wǎng)絡(luò)方式。
此次展覽是由中國西部水彩網(wǎng)主辦，聯(lián)合近40家現(xiàn)代傳媒共同發(fā)布的新媒體網(wǎng)絡(luò)展，展覽將通過邀請和公開征稿的方式進(jìn)行，以“開放、創(chuàng)新、傳播”為策展目標(biāo)，通過互聯(lián)網(wǎng)的無限傳播，助推當(dāng)代水彩藝術(shù)的發(fā)展?！耙曈X的維度-中外水彩名家邀請展”正是基于這樣一種思考來進(jìn)入人們的視野。
本次展覽共收到來自國內(nèi)外投稿郵件485件，其中有35份無效投稿（不符合投稿要求）遺憾提前出局，我們經(jīng)過認(rèn)真評選，考慮到網(wǎng)展的數(shù)量限制，最終選取160幅作品入選我們的這次展覽。
本次展覽是一種嘗試，考慮到國際性、學(xué)術(shù)性、多元性，在選取作品時盡可能照顧到方方面面，但結(jié)果難以避免“以偏概全”，有不少好作品無法錄入。尤其是海外部分，征稿時間恰逢西方傳統(tǒng)節(jié)日，投稿量非常有限，這都造成此次展覽的遺憾。這也是本次展覽一再延遲的主要原因。
感謝為此次展覽付出的所有朋友！感謝所有支持媒體！希望這次展覽能圓滿成功！
宋清
2016/1/7
Valueof contemporary watercolor
-'Visual dimension - China and foreign Watercolor Masters InvitationalExhibition' Foreword
Today, the modern media is increasingly changing people'sreading habits from traditional print media to the Internet to bring themultimedia era, our visual system has experienced unprecedented challenges.Image Times to bring people in convenience, but also confusing our visualsense, which means that after a day to filter out a lot of spam to find whatthey want that part.
Watercolor painting as an independent form of history isnot long, just three hundred years with respect to the long course of humanhistory may be just a point. As a small branch of the visual arts, watercolorart history is not separated from the outside, but 'moisturizes things insilence', in a certain range of quietly changing people's visual habits,you almost do not notice small, but It is indeed in their own unique way trulyexists.
American writer Van Loon said: evolutionary history ofart climax and troughs, it is not a simple spiral upward, but more like thewaves on the beach in general, sometimes onto the beach, but when you go back,the next may have to rush farther beaches.
As an art eternal theme, how to express than to expresswhat more by the artist's attention, all the ancient masters struggled forlife. After Impressionism, the richness of the visual arts masters who havebeen diversified manner unprecedented presented. From Cezanne to express thingslike behind something, to Matisse, Rouault, Nolde, Giacometti, Freud, Balthus,Dumas and many other modern masters, but they watercolor a means, they willexpress this to the extreme. A good interpretation of the meaning ofcontemporary easel painting.
30 years ago, the American writer Arthur Danto hasdeclared the end of art, art history is not a history of technologicalevolution, the philosophical level, he felt standing history of moderntechnology to the art of the impact, but did not see The artist's use ofcontemporary technology, did not see the easel painting revival in the 21st century.Watercolor as a traditional mediums and expressions, it gives the public thevisual experience of the world is being more and more painters changing andrefreshed. In this context in watercolor becomes active, it brings peoplevisual experience, but also started to build a new diagram type language,expanding the visual dimension. Micro era, for this new change watercolors, wetry in a new visual way to present to the public, namely global coverage ofmicro-network approach.
The exhibition is sponsored by China's western watercolornetwork, combined with nearly 40 modern media network jointly issued the newmedia exhibition, the exhibition will be by invitation and open call for papersway to 'open, innovation, dissemination' as curatorial goal, throughunlimited spread of the Internet, boosting the development of contemporarywatercolor art. 'Visual dimension – China Watercolor Masters Invitational Exhibition' isbased on such a thought come into view.
The exhibition received a total of 485 submissions fromabroad Mail, which contribute 35 invalid (does not meet the submissionrequirements) sorry early exit, we carefully selected, taking into account thenumber of limit-network show, and ultimately selected 160 works selected us ofthis exhibition.
This exhibition is an attempt to take into account theinternational, academic, diversity, as far as possible in the selection ofworks to take care of all aspects, but the result is difficult to avoid the'sweeping', there are many good works can not be entered. Especiallyoverseas parts, Call for time to coincide with the traditional Westernfestival, contribution amount is very limited, which all contribute to theexhibition of regret. This is also the main reason for the exhibition hasrepeatedly delayed.
Thanks to pay for the exhibition all my friends! Thanksfor all the support media! I hope this exhibit to be a complete success!
Song Qing
2016/1/7
特邀部分(Invites part)15
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